Rory Lane is of
Irish and Japanese descent and comes to live with her mother in Japan. Rory
quickly figures out she’s part of a bigger, magical, mythical picture.
In the opening
essay by Zack Davisson, he talks about how so many people use Japan as
decoration. Wayward gets it exactly right. The city you see is Tokyo as it
actually is and all of the creatures come from Japanese mythology. As an
American who loves European fairytales, this was right up my alley.
I love seeing what
artists and writers can do with existing tropes and mythos. Zub and co. struck
an excellent balance between letting us see the mystery unfolding and different
elements of the magic while leaving several questions unanswered. I look forward to seeing what mysteries
unravel.
I greatly
appreciated the explanations of the culture and history behind the creatures.
It added a lot of dimension to the world they built. Japanese culture and American culture are
very different on a lot of fundamental levels so the history and context was
greatly helpful.
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