Not Worth the Wait

One thing that has always bugged me about ADELE was that she never did anything to stay relevant while taking time to raise her son. Her social media presence was nonexistent, she didn’t do any covers or charity concerts, no major appearances. While I think it’s great she was able to lie low, I feel disrespected as a fan. We’re great when she wants to make money for her art but otherwise, whatever.

I do like that she didn’t do the insane amount of media hype for her new music. We found out she had a new song when the video debuted and we could download it. It wasn’t like Katy Perry doing very dramatic stunts to hype her singles and albums. There it was. Because Adele is incredibly talented, we all accepted it.

Adele said the reason she waited so long to do anything was because she was afraid of making a lackluster product. Unfortunately, I think that’s exactly what she did. There was one song on her album that instantly grabbed me like ‘Turning Tables’ and ‘One and Only.’ River Lea was not good enough to make up for a prolonged absence and an underwhelming record.

Am I saying it’s not good? No. It’s a good record. I don’t think any song on it is bad. But 21 set such a high bar that anything less is disappointing. It’s good and will probably grow on me with more plays but on the first couple of listens, 25 can’t hold a candle to 21. You can’t follow up phenomenal with something that’s just good.

New Music: Title

My new album for January was Meghan Trainor’s Title. After her fantastic songs All about that Bass, Title, Dear Future Husband, and Your Lips Are Movin, I was really stoked for her album. Unfortunately, the best has already been heard.

Mr. Almost and Walkashame were fun (although I got sick of hearing her say her daddy knows she’s a good girl) but most of the other songs are forgettable. Overall it’s fun but all of her best stuff dropped before the album did. Plus Trainor has a repetitive style of song with a strong consistency of her ‘retro made new’ sound made the album feel redundant at times.

Title is an album for the digital age. It has a lot of great singles that sound unique until you hear the same thing 12 times in a row. It works best split onto playlists and shuffled with other songs. 

Kesha is a good example of the repetitive lyric and song style but messes with different beats, mixes, and several other elements to make her songs different from each other. Trainor needs to experiment with different elements in her songs more to keep her songs from bleeding together. 

I look forward to what Trainor will do in the future and I'll keep rocking the best of her current efforts.

The F-Bomb Is Dropping

Feminist is becoming a very charged word despite a remarkable number of people trying to shut it down. TIME memorably said it should be banned. This backfired royally with a massive media backlash.

A variety of pop stars and actresses have come out against feminism in the recent past as I have said many times but some minds have finally started changing.

Beyonce perfectly displays how feminism isn't an all or nothing game. Find the space where you're comfortable that aligns with your beliefs.

Lady Gaga and Katy Perry both said the label didn't apply to them. After an education about the equality the word really represents, both have changed their tune. Neither will be marching in a rally any time soon but let's enjoy baby steps.

Taylor Swift hung out with Lena Dunham and realized that she was absolutely a feminist. She even had some interesting things to say about how she's often reduced to her relationships and inability to keep them. I loved how she played on this trope in her video for Blank Space.

Unfortunately, not all minds are so open. Despite several outcries, Kelly Clarkson still hasn't made any response to the ugly and ignorant things she said about feminism and feminists a year ago. I can't listen to her music anymore because of what she said. I lost all respect for her. It's a combination of the blatant hypocrisy and her breathtaking, willful ignorance.

Clarkson has been out of small town Texas long enough to figure out what the word means and how the independence she values epitomizes it. She's called out music execs for sexist behavior and the amount of attention paid to her weight but somehow she's not a feminist.

Maybe she doesn't want to alienate the conservative country crowd she's been courting so hard since she feel in love with Brandon Blackstock. It might explain why Carrie Underwood is still singing the same old song. Although country music seems to be changing its tune with Girl in a Country Song and Quarterback.

Please name any other group of people celebrities can openly misrepresent and bad mouth without media backlash? Who else can consistently be reduced to its extremists without anyone major complaining?

You can't touch religions although Christian extremists and hypocrites are vocal enough to make this surprising. Gamergate has created a very discernible barrier between normal gamers and misogynistic troglodytes. Mormons have come out against the polygamist minority, especially since the poly folks started getting their own shows. I can't think of any group that earns such open dismissal and derision from society.

Amy Poehler said she doesn't get why people like Shailene Woodley come out against feminism. "But then they go on to explain what they support and live by -- it’s feminism exactly. I think some big actors and musicians feel like they have to speak to their audience and that word is confusing to their audience. But I don’t get it. That’s like someone being like, "I don’t really believe in cars, but I drive one every day and I love that it gets me places and makes life so much easier and faster and I don’t know what I would do without it."

A blog I just discovered has the best response to those type of women: "You are either a feminist or you actually think you should get paid less for equal work."

Until some of these women learn what it means to get their cars taken away from them, Kelly Clarkson, Carrie Underwood, and Madonna don't need my money. Any production with Shailene Woodley, Susan Sarandon, Demi Moore, Sarah Jessica Parker, Dita Von Teese, or Gwenyth Paltrow can look somewhere else for their box office dollars.

I'm gonna go crank Taylor's new album and see what Bustle and BuzzFeed have to say today.

PS - Some of the above women say they're 'humanists.' It's a lazy cop-out to say they love equality but are scared of the f-bomb.

B*Witching

One of my favorite girl groups when I was growing up was B*Witched. They were an Irish foursome know for rocking denim and singing bubblegum pop. 

I was poking around on iTunes when I discovered they'd released new music. I promptly downloaded in and started looking into what happened with the resurgence. It all started as part of a British TV show called The Big Reunion. Six of the top UK pop bands of the 90's and early 2000s will be reunited for one big concert and one dramatic reality show. I've been watching it on YouTube.

I knew about a few of these bands but these were the days of dial-up internet. If the marketing machine never made it state-side, there wasn't a lot I could find out. Atomic Kitten and Five made it stateside but they weren't as big as B*Witched.

When I fell in love with B*Witched I was 12 and media literacy existed in academic circles. With the rise of smartphones and constant communication, media literacy is a common topic of discussion. I often take apart the media I'm consuming now but I've never taken a look back at the media I consumed growing up.

It's so strange to hear about how the leads on songs were shared until one of their handlers decided they needed a lead singer. They weren't supposed to be seen outside without their 'uniform' of denim. Keavy had an extremely hard time adjusting to living in her twin's shadow. Lindsay felt like she didn't have a voice. When the band was abruptly dropped from their record label, Edele wanted to find another label and make it work. Sinead was ready to call it quits. She and Edele had become so close that she wanted to figure out who she was on her own. Both describe it like the end of a marriage. 

It was so bizarre to hear one of my favorite bubbly girl groups who are always delightful in interviews was dying inside. When Keavy had a minor breakdown on a family trip, their team was worried about the band, not the woman. Edele said "We were a product." 

Looking back at it, those kinds of issues were inevitable. In the Big Brother-esque world of media today, it's harder to hide those issues but it still happens. You can still see the media controlled corporate pop machines like One Direction. They seem like lovely lads but I assure you those boys are walking hormones.

I'll always loved B*Witched and have a soft spot for their music. You don't hear bubble gum pop like that these days. I have a new respect for these women and how hard it was to do what they did. I hope things in the new band are more balanced. I'd like to see them thrive again.

Music: Champagne or Guiness by B*Witched