Poetry is brought to you by Poisoned Apples: Poems for You, My Pretty by Christine Hepperman is an anthology of fairy tale themed poetry and images geared toward teens. I like anything with a fairy tale motif so when I saw this at the library, it was game on.
I definitely felt a bit old for this but I appreciated the references. There are a lot of things I don’t miss and being a teenager is one of them. The eating disorder theme was very prevalent. A great deal of time is spent trying to be thinner, prettier, younger and it’s all just a media sponsored game that has us chasing our tails.
Rather than give spoilers, I’ll just say my favorites: Shape Magazine, Anorexic Eats a Salad, Vindictive Punctuation, First Semester Haiku, Ugly Stepsister, Boy Toy Villanelle, Nature Lesson, Love Red Handed, The Beast and Assassin. It’s short, sweet and fun. Definitely recommend. My only complaint is that they images lost something being printed on standard pages. 4/5 stars
Showing posts with label fairy tales. Show all posts
Showing posts with label fairy tales. Show all posts
Tuesday, May 24, 2016
Tuesday, June 30, 2015
PopSugar Reading Challenge Book 23 or Bedtime Stories for Adults
For a book of short stories, I read something I've had since Borders went under: Stories for the Nighttime and Some for the Day. I now officially love Ben Loory.
In his collection of fairy tales, Phillip Pullman talks about how characters in fairy tales are very one dimensional. They're there to move the forward without needing the depth and development of regular characters. So it is with Loory's short tales.
While many do not have the moral of fairy tales, they are powerful tales that resonate deeply within all of us. The haunting monster from The Swimming Pool, the simplicity from The Shadow, the message from The Afterlife Is What You Leave Behind, the faith from The Magic Pig, the wisdom from The Poet, and the tale of love from The End of It All. These are bed time stories for grown-ups.
Because the stories are both simple and complex at the same time, I read it in short bursts over a month and a half. It allowed me a chance to digest all of what lied in each story and appreciate before consuming more. There are tales of love as well as fear and can think of few who would walk away with nothing to appreciate from this small book.
In his collection of fairy tales, Phillip Pullman talks about how characters in fairy tales are very one dimensional. They're there to move the forward without needing the depth and development of regular characters. So it is with Loory's short tales.
While many do not have the moral of fairy tales, they are powerful tales that resonate deeply within all of us. The haunting monster from The Swimming Pool, the simplicity from The Shadow, the message from The Afterlife Is What You Leave Behind, the faith from The Magic Pig, the wisdom from The Poet, and the tale of love from The End of It All. These are bed time stories for grown-ups.
Because the stories are both simple and complex at the same time, I read it in short bursts over a month and a half. It allowed me a chance to digest all of what lied in each story and appreciate before consuming more. There are tales of love as well as fear and can think of few who would walk away with nothing to appreciate from this small book.
Wednesday, May 27, 2015
A Graphic Year Week 21 or Not Little Endowed Red Riding Hood
This week’s
graphic novel got pretty graphic. I read Grimm Fairy Tale: Myths and Legends
from Zenescope comics. They’ve made their bread and butter by turning fairy
tales and folklore into horror stories.
One of the
characters in this story made her first appearance in the first Grimm Fairy
Tale series. I’d read enough to know what they were talking about but dropped
off early enough that I felt like I was missing some of the major plot that
went into this. I stopped reading that series right before the storyline to a
big twist.
It does well as a
self-contained horror trade with a very stereotypical plot set up. Folks are
stranded in a remote location by a storm, issues with the power arise, and
something is picking them off. Despite the stock set-up, the villain is
somewhat unique. The story ends in a way that makes it clear the story is only
beginning.
One of my biggest
complaints is that most of the Zenescope art is basically soft-core porn. There
are lots of Jessica Rabbit type figures that are scantily clad but still manage
to rip their clothes. I’m curious about the
stories they have to tell but everything is a perfect example of the hyper-sexualization
of the female form in comics. My inner feminist killjoy has trouble reconciling
that.
Wednesday, May 20, 2015
A Graphic Year Weeks 19 & 20
Week 19
New York Four was an enjoyable read and had great art. It’s
a coming of age story of a young woman with sheltered parents, a rebel sister,
and a new start at NYU. How does she deal with having friends, going to
concerts, having a sister for the first time in a decade?
It was a compelling narrative that did a great job of using
NYC as a character. I liked the various tidbits and intros about where the
story was taking place in the city. The intro boxes with name, status, etc.
were great. Informative and cheeky.
The friendship between the four girls seemed to develop
instantaneously. I wanted to see more of where that came from and what went
into it. Wood did something similar with sneakerfreak. I wanted to see a bit
more of what went into that relationship.
I know there’s a sequel so I’m looking forward to seeing if
it addresses the motivations and consequences of the sneakerfreak reveal.
There’s also other drama the girls set up for themselves that I’d like to see
played out. You leave the story know it’s not over yet.
Week 20
For this week, I but the bullet and started to catch up on
Fables. The last 2 trades have had storylines that rip my heart out and made me
grieve for the characters. I was afraid to see what Bill Willingham would do
this time.
After the loss of the last two trades, this one wasn’t
nearly as depressing. Rose Red has become a true paladin of hope and has
started a new Camelot to find her agents of second chances. Lady Lake comes to
answer questions about the fate of a beloved character and we get a peak into
what I suspect will become the next battle of Fables.
This story did a good job of showing how many of the
character before have grown into their roles such as Winter and Therese. We
have new villains with Brandish and Duglas whose evils I’m sure we’ll feel in
the coming issues. We got some answers about the fates of Boy Blue and Bigby
and a few more questions.
The trade did an excellent job of developing new storylines,
answering lingering questions, and introducing recent characters without losing
focus. It also presented the beginning of the end. What ended Fabletown was not violence, blood, or magic. It was the freedom to finally return home. That is an ending I'm looking forward to reading.
As ever I was impressed with the art and even took a moment to appreciate how the borders changed with each character and location. Always a fine attention to detail with this series.
As ever I was impressed with the art and even took a moment to appreciate how the borders changed with each character and location. Always a fine attention to detail with this series.
Tuesday, April 21, 2015
A Graphic Year Week 16 or Finding My Way
This week I read Wayward written by Jim Zub. I got the first
floppy at a signing by the writer and artist. It gave me a taste of this world
and I liked it. I picked up the first trade at a recent trip to the comic book
shop and I’m completely hooked.
An added bonus is
that Zub stopped by my comic shop but I couldn’t make the signing. Turns out he
signed several of the trades at the comic shop including the one I picked up at
random. That definitely made my day.
Rory Lane is of
Irish and Japanese descent and comes to live with her mother in Japan. Rory
quickly figures out she’s part of a bigger, magical, mythical picture.
In the opening
essay by Zack Davisson, he talks about how so many people use Japan as
decoration. Wayward gets it exactly right. The city you see is Tokyo as it
actually is and all of the creatures come from Japanese mythology. As an
American who loves European fairytales, this was right up my alley.
I love seeing what
artists and writers can do with existing tropes and mythos. Zub and co. struck
an excellent balance between letting us see the mystery unfolding and different
elements of the magic while leaving several questions unanswered. I look forward to seeing what mysteries
unravel.
I greatly
appreciated the explanations of the culture and history behind the creatures.
It added a lot of dimension to the world they built. Japanese culture and American culture are
very different on a lot of fundamental levels so the history and context was
greatly helpful.
Labels:
A Graphic Year,
books,
comics,
fairy tales,
Japan,
mythology,
reading
Monday, April 20, 2015
PopSugar Reading Challenge Book 13 Your Majesty
I read Part-Time Princesses in a day while killing time
between staffing agency interviews. I picked it up on my last trip to the comic
shop because it seemed like fun. It was one of those impulse purchases that
worked out well.
Four teenage friends are the A-list at their high school and
work summer jobs at the Enchanted Forest theme park as the princesses. The
girls get a reality check about the futures they had in mind for themselves and
have to help save the park from a crisis that threatens to shut it down.
It was such a fun read that I didn’t even realize I’d downed
most of it in an afternoon. The girls are interesting characters but suffer
from the ‘I’m popular, why should I talk to you’ syndrome. I disliked the
stereotype but enjoyed seeing them taken down a peg in a way that made them
improve as people.
It’s another good example of how graphic novels are more
than superheroes and monsters. Definitely recommend.
Music: Lux Aeterna by Two Steps from Hell
Wednesday, July 23, 2014
Baker's Dozen Challenge Book 11
For Retelling I read Classics Mutilated which was an anthology of mash-ups between well-known classics and other classics or contemporary concepts like Twilight meeting Norse mythology or Alice in Wonderland and Snow White
My favorites were Death Stopped for Emily Dickinson, The Happiest Hell on Earth, From Hell's Heart, and The Green Menace. I liked some of the small touches in Frankenbilly and Dread Island that helped set the voices of the characters, like Cut Through You. It took me a little longer than I'd like to admit to make that connection.
Despite having very different themes and voices, these stories all went together very well. The only time I was 'meh' about a story was when I lacked a connection to the source material like Little Women in Black. I've never read Little Women so I couldn't tell what exactly was being mutilated about that classic.
I loved the section at the end about why the writers chose the mash-ups they did. The Happiest Hell on Earth is described as the place between "Are We Not Men?" and "Why Is That Dog Wearing Pants?" It was fascinating to hear why the writers chose what they did.
This book won't change your life but if you like the mash-up idea, you'll enjoy this.
I loved the section at the end about why the writers chose the mash-ups they did. The Happiest Hell on Earth is described as the place between "Are We Not Men?" and "Why Is That Dog Wearing Pants?" It was fascinating to hear why the writers chose what they did.
This book won't change your life but if you like the mash-up idea, you'll enjoy this.
1) Another World – Wild Cards edited by George R. R. Martin
2) Learned Something – Animals Make Us Human by Temple Grandin
3) Movie Book – The Fault in Our Stars by John Green
4) Graphic Novel – Fanboys vs. Zombies Vol. 1 by Sam Humphries
5) Dust – You Don't Sweat Much for a Fat Girl by Celia Rivenbark
6) Nonfiction – A Little F'ed Up by Julie Zeilinger
7) Reread – Ready Player One by Ernest Cline (as read by Wil Wheaton)
8) Shorts – 20something Essays by 20something Writers
9) Fiction – The Rosie Project by Graeme Simison
10) Shiny – Dear Mr. Knightley by Katherine Reay
11) Retelling – Classics Mutilated edited by Jeff Connor
12) Wild Card –
13) The End –
Music: 300 Violin Orchestra by Jorge Quintero
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